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Sunday, July 17, 2016

A Failed Sex Slave


Not long ago I did this podcast interview with Jasun Horsley of "Liminalist" fame. We were sitting in his kitchen, talking face to face. We were talking about our "alters" : subconscious personalities, or fragments of ourselves, that we think may have been programmed into us as children. Jasun spoke of his "sociopath" alter, which had surfaced in a dream that same week, and asked if I felt I had any experience with alters. I talked about the fact that as a child, I had conscious memories (although at the time they appeared to be complex fantasies) of being sexually tortured with hundreds of other children in an underground facility. The torturers were dressed as witches, and used electric cattle prods on the children who were immobilized on a conveyor belt. This same bizarre scenario, which I tried (at age 4 or 5) to describe to my mother, turned up nearly 50 years later in accounts I found online by MKULTRA survivors. The details were too similar to overlook: scientists dressed as "witches and clowns" ... children strapped to a conveyor belt in an underground facility, which some suggest was at China Lake military base in California, in the 1950s. Here is the interview with Jasun Horsley, from last April. Part of me thinks I only scratched the surface.

We know -- or at least some of us know -- that children are being "sexualized" early on. We haven't been told that this programming has been going on for decades, and was something the scientists who ran the MKULTRA program were interested in. The purpose: fragmenting the human personality in early childhood to create alters -- unconscious parts -- that can be programmed in useful ways. For girls: prostitution was always a primary option. We're seeing the results of this in fashion and media.

As for me, I didn't end up acting on my programming -- as far as I know. But I believe it's in there, somewhere, and has influenced my life at times. It's a subject too strange and personal, maybe, to delve into here. But I hope to, elsewhere.

Meanwhile, I notice there are TED TALKS on "transgenderism" but none on MKULTRA. That's something that needs to be addressed. It is now okay, in fact fashionable, to come out as a transgendered person. But it remains taboo to talk about secret experiments on children that happened right here, in our lifetime, that continue to change our world in mainly unconscious ways.

Friday, June 3, 2016

Lucifer's Return


I met the man in this mug shot twice in Montreal in the summer of 1969 or 1970 on a downtown street where he sometimes stood in a black cape, hawking copies of the glossy Process Church magazine, with its feature article on the recently arrested serial killer Charles Manson. In fact, both times I saw John Roland Stahl that summer, I stopped to chat. I was 18 or 19, he was 22 or 23 — flamboyant, androgynous, charming, handsome, articulate — as he spoke of the unity of God and the Devil. I had the sense he was recruiting young people who stopped to talk to him, with inspired revolutionary zeal and Luciferian appeal. In those days he had rock star looks -- his dark shoulder length hair pulled back in a pony tail, his smile wide and generous. Still, I knew to stay away from people like 'King John' which was what he called himself back then.

Recently I heard he also ran a bar called The Image, on Park Avenue, around the corner from where I lived as a student. So we were neighbours and probably knew people in common. He oozed counter-cultural refinement that set him apart, and I had a soft spot for that kind of fallen angel. Later I wondered what became of him and who he really was -- Now I know.

Among other things, he became an artisanal paper maker in Mendocino County, California, and a known sexual predator. The hippie movement had plenty of charlatans like him and he played the part with flair. In the early 2000s, he moved to southeast Asia and when arrested in 2013, he was running another hip cafe, the Cafe Noir, on the beach in Sihanoukville, known as a hangout for foreigners and a place where young local boys came to play chess. Stahl was teaching some of these kids -- many of whom lived from collecting trash at the dump -- the art of papermaking. On his blog he sometimes expounded on "intergenerational relationships" -- making no secret of his pedophilia. Eventually the authorities caught up with him and he was deported back to California in 2013 for failure to register as a sex offender. In January 2016, he was reincarcerated for violating his parole conditions and remains in prison.

Married twice and the father of two children(his second wife died of cancer), he worked with youth, spreading his ‘gospel.’ Back in the sixties in Montreal he was a draft dodger, one of hundreds who crossed into Canada so they would not have to go to Vietnam. So it makes sense, maybe, that he would end up in Cambodia where another veteran of Montreal's downtown scene, Oscar Sanchez, turned up later. Sanchez died recently of "swollen feet" and was found by police keeled over on the toilet at his rented house in Sihanoukville, a seaside town known as a magnet for men looking for child sex. In the 1990s, Sanchez had worked with youth in Vancouver's Portage program,, and friends describe in stellar terms as 'an unforgettable man' and 'a comet in my life.' A photo shows several boys seated outside a lit-up front door at Sanchez' cement residence.

I didn't know Sanchez, but I knew some of his friends, e.g. painter Stephen Lack and filmmaker Alan Moyle, who acted in the 1974 movie Montreal Main, about drugs and pedophilia. It's a lifestyle that has been introduced since the 1950s, by intelligence cults like the Process Church. The trend is obvious when you look at how the counterculture was not just infiltrated, but set up and promoted, by mainstream media including the CBC and National Film Board of Canada.

John Stahl is also hard to forget. Young boys, his victims of choice, and their clueless parents, had a way of getting lured into his charmed circle and he was seen by some as 'a great guy'. It feels eerie to find him again after all these years. He stands out in my memory like a street corner mime, or possibly an unwitting front man for something sinister that keeps expanding. The photo below, which I can't get to stand upright for some reason, appears to have been taken years ago in his cafe on the beach, with a young boy seated behind him. Viewing it on my phone, I mistook the foot resting yogically on his thigh for an erect penis. I think this is intentional: a way to insinuate sex and rise above it at the same time. So it was, back in 1969, when we flirted on Ste Catherine Street. Maybe I felt sorry for the black-cloaked elf hawking a glossy Satanic magazine that nobody wanted. That could be why I stopped to talk to him: to demonstrate my nonchalance, or sympathy for the devil. I inquired about the Baphomet symbol, combined with a cross, dangling from his neck and he delivered an inspired and enthusiastic response, suggesting I read Hermann Hesse's novel Demian to find out more about the God, Abraxas. We bantered back and forth for several minutes. I flirted with a 22 year old future child molester dressed up in a devil costume in broad daylight on a busy street corner and never saw him again. -- And here he is, 45 years older, sending emails from prison.

Wednesday, February 10, 2016

Victorians in our Midst


Reprinted from Canadian Content:

I first discovered that Margaret Atwood and George Eliot are identical twins while visiting UCLA'S William F. Clark Library, in Los Angeles. Headed by an old acquaintance from Montreal, Bruce Whiteman, who used to be curator of Rare Books at McGill University, the Clark Library houses the world's largest private collection of Oscar Wilde manuscripts. While taking me on a tour of the building, Bruce showed me a room filled with portraits of Wilde's contemporaries and predecessors, including Dryden, Pope and Milton. Dwarfed by these likenesses of male literary giants hangs a tiny pen and ink sketch of Mary Ann Evans, known to the world as George Eliot. To my astonishment, I saw that it was the face of Margaret Atwood.

I motioned Bruce over to have a look. He said, "My God -- you're right!" Apart from the hairstyle (Eliot wore her dark unruly curls in the Puritan style, pulled back from a centre part to cover her ears), the resemblance was staggering. The same wide- apart, slightly crossed eyes, the aquiline nose, the full lipped Mona Lisa smile, the cheekbones, the rounded chin... Young George Eliot was Atwood in Victorian dress.

I recalled an interview I'd read a year or two before, in which Atwood confided that the only novelist she would claim as a major influence (apart from Dickens) is George Eliot.

Could Atwood be a continuation of George Eliot who -- after death -- chose Toronto as the best environment to continue her career? Canadian poet and novelist Robert Kroetsch once pointed out that Canadian Literature went from its Victorian stage into post- modernism with no intervening period of modernism. Atwood's career is emblematic. She attended the University of Toronto's Victoria College and got her first teaching job in Montreal in 1967, teaching Victorian and American Literature. In the 70's she rose to fame as Canada's premier woman writer.

Hot on the heels of discovering that Margaret Atwood was George Eliot in a past life, I stumbled across a portrait of Eliot's friend and mentor, John Chapman, in Frederick R. Karl's biography of George Eliot, Voice of a Century.

Bearded, handsome, sexy in a patrician kind of way, Chapman ran a lodging house cum publishing operation on the Strand in central London. Chapman was editor of the Westminster Review and a dead ringer for the late Robertson Davies.

Like Davies in his varied career as a journalist, playwright, editor and university man, Chapman was known for his egotistical manner and way with the ladies. Separated by an ocean and a century, he and Robertson Davies look as much alike as Eliot and Atwood.

Chapman introduced the young Eliot to British intellectual life in the early 1850s. In Toronto during the 1980's and '90s, Davies and Atwood teamed up in public, sometimes appearing as a neo-Victorian literary duo, and even going so far as to sing a duet of "Anything You Can Do, I Can Do Better" at a PEN gala in 1992.

Flipping through Karl's biography, I found an 1859 photo of Eliot's long time companion, George Henry Lewes, whose reputation as a novelist has been overshadowed by that of his famous life partner. There's no mistaking his resemblance to Graeme Gibson, Atwood's husband in this lifetime, whose most recent novel was err, ah...

Eliot and Lewes socialized with Robert Browning, and frequently dropped in at Dante Gabriel Rossetti's studio on fashionable Cheyne Walk in Chelsea. After Lewes' death, Eliot married James Walter Cross and the couple moved in to number 4 Cheyne Walk, almost next door to Rossetti -- which made them, in a way, neighbours of Henry VIII (whose 16th century manor house stood at the corner).

If, during the 1970s, Atwood and Gibson had decided to love back to their former Thames-side digs, they would have had to put up with the new kid on the block, Mick Jagger.

Jagger bears a haunting likeness to a second-millennium BC pharaoh, Amenhotep IV -- but that's another story.

parts of this work have appeared in Geist and Matrix magazines

Tuesday, February 2, 2016

BLACKENED


A very strange year, 1969. I'm surprised I can even remember back that far, but the release of Ninth Floor - which I still haven't seen - by the NFB has triggered memories that I'm now sorting through. See, I was there when it all happened.

When the Computer Centre Crisis began with the occupation of the ninth floor of Sir George Williams University, I was 17 and also the "news editor" of the student newspaper, the georgian.

The georgian office was on the sixth floor at the south-east corner of the downtown cube some people called the "air conditioned nightmare." When I wasn't going to classes, I spent most of my time there -- a short escalator ride down from the seventh-floor cafeteria and all the action. In a way, I grew up in the georgian office, during the crisis and afterwards. I even lost my virginity there -- in more ways than one.

Of all the events I have witnessed in my life, this was one of the most traumatic. After it was over, punishment came down on all the participants. Names were blackened, lives wrecked, and some fine journalists never worked again in journalism. In the aftermath, everyone tried hard to forget and put it behind us.

The following year, drugs flooded the campus and the georgian office -- and even more memories were swept away. It was 1969, and our minds were being blown, almost daily, in overt and hidden ways.

Ninth Floor by Mina Shum, National Film Board of Canada

But seeing that Ninth Floor trailer brings it all back, and once again I'm in that classroom auditorium (room H-110) listening to the speeches and grievances of black students demanding justice. I'm with Alan Zweig, the advertising editor, taking notes. We are waiting for something to happen. We know something will. After two hours, it comes in the form of a call to occupy the Ninth Floor. From my seat in the middle row, I watch as students, mostly black, with some whites joining them, fist raised, file up the aisle and out the exit. Four hundred of them. The occupation begins. It will last for two weeks, and end in a mysterious fire and a lot of wreckage, including of the two state-of-the-art computers.

Then Alan and I go upstairs to write up the story for tomorrow's georgian. It's a cold night in late January. Tomorrow will be the beginning of a long, slow siege.

Also that February, David Bowie would begin recording Space Oddity months ahead of the Apollo 11 Moon Landing on July 20. Also that summer, Brian Jones would drown in his own swimming pool. It was the summer of Charles Manson and the Sharon Tate murders. And would be followed by the winter of the Altamont Festival and the Stones' deadly performance of Sympathy for the Devil.

1969 The year we were told everything was about to change for the worse. What we're finding out, all these years later, is that some of these "mind-blowing" events were outright hoaxes. Not one was what it seemed at the time.

********************

One of the people 'blackened' by his involvement in the computer centre affair, and by the stand he took at the time, was the georgian's Editor-in-Chief David Bowman. Interestingly, he has the same name as the astronaut in Stanley Kubrick's 2001: A Space Odyssey, which was the inspiration for David Bowie's 1969 song.

David Bowman, a thin wiry ultra-white 23-year-old whose British accent and pale blond Afro set him apart from the rest of the georgian crew, was a clear-thinking, principled guy. As editor, he came out strongly and never wavered in his support of the black students in their demands for an investigation into charges of racism against their Biology professor.

He and other journalists at the georgian were aware that Principal John O'Brien's administration had mishandled the case, and were not being straight with the students. These suspicions came to a head in a controversial letter allegedly written by someone in the Dean's office, suggesting that the occupation could be ended by "breaking a few windows" and calling in the cops to eject the occupiers. That is, by faking a riot.

In the days leading up to the final explosion of February 11, Bowman and others, including former georgian editor Frank Brayton and some journalists from the McGill Daily, attempted to leak this damning letter which exposed the administration as planning what today we might call a 'false flag.' But before the story could get out and embarrass the Dean and the university, Bowman and Brayton were accused of having fabricated the letter as a 'hoax' -- and soon after, the 'riot' exploded.

The following day, February 12, the entire staff of the georgian were fired by the administration, with support from the student council. Dave Bowman disappeared -- I'm not sure I ever saw him again. In the summer of 1975, I ran into Frank Brayton while I was visiting Vancouver. Recognizing me after six years, he said "We all come here to lick our wounds." I don't know what became of him afterwards. Though gifted and charismatic, he always struck me as too sensitive for a profession where sociopathic personalities rise to the top.

So in mid-February 1969 I ended my short (three-month) career as News Editor of the georgian, Canada's most radical student paper at the time, or at least a close second to the McGill Daily, then headed by the team of Marc Starowicz and Mark Wilson. Actually, as I recall, I was more of a proofreader/intern, and Alan Zweig was the real news editor. He showed me the ropes, giving me taxi chits so I could travel back and forth from the printers, late at night, where he and others sometimes came to do layout. In those days, the georgian came out twice a week -- although it increased to four times a week during the height of the crisis and occupation.

I couldn't join the occupation since I was still living in the suburbs with my parents. All I saw of the riot was what everyone else saw who was standing on the street on Bishop Street that morning. Helmeted cops herded us onto the sidewalk, as computer cards rained down from the windows that, earlier, had been belching smoke from the mysterious fire that, to this day, remains a mystery. Why would occupying students set fire to their own barricade? For that matter, why would a group of them have invaded the cafeteria at 4:30 am on that fateful morning, overturning food machines and destroying furniture, as they blocked the stairwells in their ultimate takeover of several floors? Up to then, it had been a peaceful sit-in. What was the point of all that violence, while most of the 97 occupiers were upstairs sleeping?

I haven't seen Ninth Floor -- maybe it has answers to these questions. But even people who were there don't really know what happened, or who did it. How could the people on the ninth floor know what was going on down in the seventh-floor cafeteria? Or on the other side of their own barricade, for that matter? Nevertheless, all were arrested -- "white revolutionaries, Negroes, and ladies" as they were quaintly labeled -- and instantly branded as guilty criminals. "Why should we not throw the book at them?" the administration asked, with amazing confidence and self-righteousness, the very next day in the special issue evening students' newspaper. Awfully fast, when you come to think of it -- almost as if they had the presses ready to roll in the aftermath. Along with condemnation of the destruction came the blurred photos of the smashed computers, piled-up furniture and the famous lineup of arrested students with their hands up against the cinderblock wall.

On January 21, using questionable judgment, the georgian had run a front-page interview with a photo of black power leader Eldridge Cleaver, and the headline: STICK EM UP, MOTHERFUCKER - WE WANT WHAT'S OURS.

Who made that decision, I can't remember, but it certainly sent a message of cross-border escalation. This was no longer just about six students and their Biology grades at a second-rate university in a provincial city noted for mainly for its night life. Who was stoking the story, blowing it out of proportion, turning it into a race war in the making?

But now, the little details didn't matter. What mattered were the headlines. Shame, shame. The shock. The glare of international attention and condemnation. In any case, the staff of the only paper with an interest in investigating, had all been fired. We were in disgrace for supporting the 'rioters.'

From that moment on, we all began to dissociate. We were ripe for psychedelic takeover.

Monday, January 11, 2016

MKULTRA GIRRRRLS


Reportedly the now-famous photo of the little girl strapped down to a table under a sign saying STRAIN ALL URINE, first surfaced on a Japanese blog in 2008. I first saw it at Aangirfan blog, where it has been used repeatedly as an illustration of classified experiments done on children in the MKULTRA project.

When I first came across it in around 2010, I was shocked, as most people would be. I know children were subjected to this, and worse, by scientists funded by the CIA and governments. However I also questioned its authenticity. Where was the photo taken, and in what year? Who found it and how did they get hold of it? Does anyone know? Is it a real photo, from a real experiment, and if so, from which which program or MKULTRA subproject.

It's important to note that all records of experiments on children were destroyed by CIA chief Richard Helms in 1973. Although many victims have come forward recounting their experiences as children in this program, a huge effort has been made by all the institutions involved to hide or destroy any evidence, for obvious reasons. The biggest being, the possibility of a massive class action suit on behalf of the estimated hundreds of thousands of survivors.

Blogger and aerial photographer Ellen Atkin recently posted this image at her blog, alongside a photo of herself, possibly a school photo, in which she appears at "about eight years old in 1969". Give or take. So she stated, somewhere, but I recently learned Ellen is now 53 -- meaning she was born around 1963. That's way too late for her to be the same little girl. I think there is no denying a certain physical resemblance. What's lacking are details to back it up, e.g. details about when and where this disturbing photo was taken.

The girl in the "Strain All Urine" photo appears to be eight to ten years old. MKULTRA ran from 1953-64, if the information in the caption is correct, this little girl would have been born no later than 1956. However, the copy I found on the internet is dated "1961" - if accurate by 1969 she would have been a teenager, at least 16.

Like several other survivors, Ellen grew up on the Canada-US border, an area where many similar classified programs operated in the 1950s and 60s. I have met MKULTRA survivors - all women -- from that area of southern Ontario who claim they were trafficked across the border to laboratories and facilities in upstate New York, e.g. military bases with connections to Cornell University in Ithaca.

Joan Baez is a famous survivor of the Cornell mind control program. Another is the late Lynne Moss Sharman, whom I had the privilege of meeting and knowing briefly -- featured in a video posted at Aangirfan blog in 2008.

This is what a real survivor sounds like. She's not vying to be 'MKULTRA Girrrrl" -- the poster child in the photo.

********

The typewritten caption pasted in next to the STRAIN ALL URINE sign reads: "Unidentified white female between the age of 8 and 10 years old. The subject underwent 6 months of treatment using heavy doses of LSD, electroshock and sensory deprivation. Experiments under codename MKULTRA about early 60s. Subjects memory was erased and her brain is that of a newborn baby."

I don't know the source of the typewritten information, and I haven't tried analyzing the typeface to see if it is from a typewriter of the period, but the last line ("her brain is that of a newborn baby") suggests it could be from her 1960s medical file. If it is from written records, why would her name and date of birth not be included, along with the nature of the treatment? Why would she be called an "unidentified white female between the ages of 8 and 10." Why would her country of origin also be a mystery?

To me, this is reason to question the authenticity of this photo, or at least it raises the same issues mentioned above, re: its original source. Another problem is that the angle of the photo and the mask covering the lower part of the face, make it difficult to accurately compare the two faces.

Who took the photo? My best guess is, it was snapped by a nurse or orderly. Reportedly, temporary workers were hired to feed the laboratory children -- and ordered never to speak about what they saw. Some were forced to flee for their own safety.

Finally, what happens to an 8 year old child after her mind is wiped to that of a newborn baby? In the case of adult patients of Dr Cameron and others, they returned home unable to function, needing to be retrained to eat and use a toilet. So, where did that little girl go with her newborn brain? She would not have returned to her Grade Three class, or posed for a normal-looking school photo, and her school records would show an absence of many months. More than likely that brain-wiped child would have need 24/7 care in an institution.

Many children in these experiments ended up dead. Some, allegedly, went on to become 'mind controlled operatives', 'sleeper agents' and 'super soldiers.' Chances are, things did not turn well for the anonymous girl in the photo, but we will probably never know.

****

At about the same time this photo surfaced on the internet, I came into possession of a photo of a man in what appears to be a similar kind of experiment. This photo was captioned "McGill Hebb experiment, McGill 1951" and featured a man I suspect is Leonard Cohen. Some people disagree with me on that, but since Cohen also told me (and others including his ex-manager Kelley Lynch and her mother) he was in sensory isolation tanks in the MKULTRA program, and was an undergraduate at McGill in 1951, I think I'm justified in arguing it could very well be him.

I have another photo which someone sent me, which I believe is of Dr. Josef Mengele, in 1949, taken at a notorious Quebec City mental hospital where Duplessis orphans were incarcerated, abused, tortured and even killed in heinous medical experiments. For several reasons, I think it's Mengele -- but people at the Montreal Holocaust Centre laughed and shrugged when I showed them the image. In the first place it's too small for clear identification.

One person's photographic proof is someone else's cause for skepticism, or even ridicule.

In trying to prove that I, as a child, was taken to military bases and used in secret Cold War experiments, I've had to rely on all kinds of sources including:

my own fragmentary childhood memories

things I was told (and not told) by parents, relatives, and family friends as I was growing up

historical records that place my family and me at the centre of the MKULTRA project at McGill and around Montreal in the 1950s and 60s

a single file card (obtained with great difficulty from McGill's patient records department) stating my father was a Cameron patient in 1962

an emptied 'Psychiatry' file for me, dated 1955, i.e. age 3-4 which I was shown by McGill Records, but not allowed to keep. I was definitely hospitalized for 'Pneumonia' that winter, but no records exist for that hospitalisation during which my parents were told I 'nearly died.' By far the likeliest explanation is that my bout of pneumonia was the cover for slipping me into Dr. Cameron's secret LSD experiments on children, for which all records were later emptied, hidden, or destroyed.

my school records from 1958-59 (when I was in Second Grade) show I was absent for exactly 100 out of 200 school days) -- which was remarked on but never explained at the time. That was exactly when Cameron's subproject 68, involving drugs, hypnosis, ECT, and sensory isolation was at its height -- and there are CIA records to show that, which allude to "new research tools" he was using, probably children.

The following photos from our family album would appear to be about a year apart, possibly snapped en route to some kind of 'annual checkup.' I have been told that the destination was always a military base outside Montreal. It seems to me my parents were documenting these trips for some reason that they certainly never talked about to us while we were growing up.

I would be the first person to admit that the above list doesn't constitute proof in the legal sense and would probably not get me past the first interview with a lawyer -- and I have spoken about my case with Allan Stein, of Stein and Stein, who has successfully represented other survivors. He advised me not to pursue compensation, and showed me a thick file of letters he has received from dozens of people across Canada who were in programs similar to the most infamous one at McGill, as he explained why he was unable to help them.

It would be wonderful, in a way I suppose, if I had photos of myself lying on a table in a McGill experiment. I'm not 'MKULTRA Girl' but I have had flashbacks of being electro-shocked by a team of white-coated men. MKULTRA doctors and their military colleagues worked in secrecy and didn't leave many traces -- just scars on those who survived. The other children lie in unmarked graves.

I recently looked more closely at another photo of me, below -- taken in 1954 (the colour of the license plate is proof of the year). It's one of the series showing my brother and me at different ages, wearing different clothes, at various locations: always, apparently, in springtime in deserted roadside locations.

The interesting thing about this photo -- apart from my cute outfit (sturdy pants, probably overalls, worn under a spring coat) and innocent smile -- are the reflections clearly visible on the hood of the Ford Consul -- my dad was always a "Ford" man. On the left, a square-shouldered male figure in a fedora, which must be my father. On the right, not so visible, the photographer (probably my mother) who is getting me to pose. And also on the right, clear reflections of a flag flying in the wind, and some buildings: one of them low to the ground, the other with two storeys.

Yes, it definitely looks as if we've just arrived at the military base and are about to go inside, and my parents are recording the moment when I begin my career as a Cold War soldier, age three.

Meanwhile in 2004-6, while I was piecing together my family's story I was contacted by a group of psychics who , while knowing nothing about MKULTRA, demonstrated an astonishing ability to explore the program, via remote viewing. With no prompting from me, they described those long country drives from my childhood that ended at a military base south of Montreal. Then they went onto locate and talk to murdered children in the spiritual world, interview them, and in one session even read their 1960 files hidden in the catacombs under the Allan Memorial Institute. In the case of one little girl, strapped for months in a chair with electrodes in her skull, I was able later to find birth and death records for her in the Montreal archives. She also appears in a drawing by survivor Carol Rutz who was in experiments at the Allan that same year, 1960. Her dates of birth and death corresponded exactly with the information she provided to my team of remote viewers, and her death in 1963 at age 19 coincided exactly with the close of the program.

It's another piece of the puzzle. But proof? Proof is elusive, unless the missing records surface -- probably not in our lifetime.

Saturday, January 9, 2016

Interview with Ellen Atkin


I think we did this about two years ago, jammed together in Ellen's tiny house at Sun Lotus Yoga Centre, near Duncan on Vancouver Island. We talked about our shared history of having parents who were treated at the Allan Memorial by Dr. Ewen Cameron (of CIA MKULTRA notoriety). Of growing up in the 1950s and 60s under this secret program. Of electroshock machines piled to the ceiling in rooms at McGill. Of Robert Pickton and missing women and 'disposable orphans' and great names in Canadian medicine. Of pedophiles and Nazis and British eugenics, and how this society now embodies and practices mind control in every domain.

Ending with the need for a spiritual perspective.

Topics covered in this interview:

how Ellen and I met over the internet in early 2014 because Ellen's mother was a patient of MKULTRA psychiatrist Dr. Ewen Cameron; Cameron's record in Montreal: 10,000 electroshocked patients a year; a room at McGill filled with old electro-shock machines; Cameron's excellent reputation thanks to media exposure; misdiagnosis of patients who came for treatment for other ailments and ended up depatterned; Ellen's mother's broken life after depatterning and on tranquillizers; what is crazy?; Ann's father was a Cameron patient for 6 weeks in 1962; a high school music teacher who may have become aware of the mind control experiments on children; the project to create Manchurian Candidates using children (Project ARTICHOKE); children as 'blank slates'; children of the military were often used; twins as MK subjects; when you start investigating this subject other survivors gravitate to you; Quebec and the Catholic Church and the surplus of war orphans; less adoptable kids sometimes ended up in experiments at group homes, military bases, hospitals; Canada's reputation as a 'nice' country; Ann's research, Air Force involvement in MKULTRA; marginal "schizophrenics" often turn out to have been in MK experiments; media are heavily controlled and many people working in media are actually survivors of mind control programming; a societal problem; trauma-based mind control and bloodlines; ancient roots of mind control; trauma and special abilities like photographic memories; a non-human culture; sado-masochism and cults; pedophilia and sexual perversion; organized pedophilia and blackmail/control; 3000 missing women in Canada; why did the police let Robert Pickton operate his Pig Farm; snuff films; secretive men's clubs; child trafficking in Canada; systemic and controlled at the highest levels; Pickton and Cameron as fall guys; Canadian 'heroes of medicine' experimented on children who were kept in cages; Wilder Penfield; pedophilia as the Achilles' heel of a corrupt society; Ann's amnesia for being in Cameron's experiments; the illusion of growing up normal in a city filled with broken psychiatric patients; poetry and the arts as a gathering place for MKULTRA survivors; controlled schizophrenia at McGill, the aerospace industry uses children for experiments; artificial intelligence; creating cyborgs; MKULTRA is now entertainment and all-pervasive; comparing early mind control programs with today; the Allan Memorial and Dr. Cameron; Cameron's patron Allen Dulles and Roosevelt's death; the secret treaty with Hitler's SS that ended WW2; Operation Paperclip; the Nazi connection; rumours of Dr. Mengele in Montreal in 1967; possible photo of Mengele in Quebec City hospital in 1949; British and American eugenics inspired Nazi experiments with Rockefeller funding; the Tavistock Institute in London; the Tavistock-funded counter-culture; our Brave New World; chances for self-realization despite our MK'ed culture; believing we are 'special'; negative frequencies; rivers of guilt and shame; negative emotions; electronic bombardment; Ellen realization that she was being controlled by external frequencies; hearing voices; voice-to-skull technology going back to early 1960s; 'you're a bad mother' messages; creating schizophrenia while pretending to cure it; alters and multiples; John Marks exposed Cameron in 1977 otherwise he would have remained Canada's little secret; Wilder Penfield's experiments on children at the Montreal Neurological Institute; Carol Rutz describes Penfield's brain-mapping experiments on her and other children; "the fate of the Western World depends on your silence"; murdered children; Dr Cameron's secret behaviour lab that housed up to 25 children; how disposable children were programmed at the Allan Memorial; candies with LSD; unmarked graves in Montreal; 'A family that betrays its ancestors descends into madness.'

Ellen's story is at her blog